The Big To-Do was recorded in three concentrated sessions during the first part of 2009: ten days in January, five days in March, ten days in May. That added up to 25 songs, a dozen of which sequenced into The Big To-Do. "We had it mixed, mastered, and completely done, and Cooley wrote the best song that just needed to be on it," Patterson says with his raspy chuckle. This happens a lot with the Truckers, and it's always a good sign. "So we went back in and recorded, mixed, and mastered 'Birthday Boy' pretty much in one fell swoop." Thirteen songs, then.
The balance of the remaining tracks, plus five more they've cut in the interim, will make up the Truckers' next album, which Patterson projects as a quieter affair. This is, in large part, possible because the Truckers have such a long-standing relationship with David Barbe (ex-Sugar, etc.) and the Athens, GA, studio he calls Chase Park Transduction, which long ago Patterson helped to build so as to earn the right to record there.
"It's gotten to where, that day of set-up time to get sounds and levels and all of that takes us about two hours," Patterson says. "We can pretty much walk in the door, and we know exactly where to put everything to get that sound, so that's just one less thing to have to think about. I wanted to eliminate the distractions."
That clarity of purpose translates into a delicious assortment of Trucker songs themed loosely around crime and (self-) punishment. "The Wig He Made Her Wear," Patterson says, is both a true story (as seen on Court TV) and the closest he's come to making the movie he started out to make a decade or more back. "The Fourth Night of My Drinking" will speak for itself, and "This Fucking Job" (paired thematically with Cooley's wry "Get Downtown") is arguably the most political song the Truckers have made since "Living Bubba." Which leaves the deceptive, airy simplicity of Shonna Tucker's "You Got Another" and "(It's gonna Be) I Told You So" to reckon with. "We always knew she had that in her," Patterson says, delighted with the emergence of another strong songwriter in the band. "It was never a secret. She was writing songs all along. But watching it come out has been a really amazing thing to behold."
The balance of the remaining tracks, plus five more they've cut in the interim, will make up the Truckers' next album, which Patterson projects as a quieter affair. This is, in large part, possible because the Truckers have such a long-standing relationship with David Barbe (ex-Sugar, etc.) and the Athens, GA, studio he calls Chase Park Transduction, which long ago Patterson helped to build so as to earn the right to record there.
"It's gotten to where, that day of set-up time to get sounds and levels and all of that takes us about two hours," Patterson says. "We can pretty much walk in the door, and we know exactly where to put everything to get that sound, so that's just one less thing to have to think about. I wanted to eliminate the distractions."
That clarity of purpose translates into a delicious assortment of Trucker songs themed loosely around crime and (self-) punishment. "The Wig He Made Her Wear," Patterson says, is both a true story (as seen on Court TV) and the closest he's come to making the movie he started out to make a decade or more back. "The Fourth Night of My Drinking" will speak for itself, and "This Fucking Job" (paired thematically with Cooley's wry "Get Downtown") is arguably the most political song the Truckers have made since "Living Bubba." Which leaves the deceptive, airy simplicity of Shonna Tucker's "You Got Another" and "(It's gonna Be) I Told You So" to reckon with. "We always knew she had that in her," Patterson says, delighted with the emergence of another strong songwriter in the band. "It was never a secret. She was writing songs all along. But watching it come out has been a really amazing thing to behold."
- Grant Alden
January 2010
Morehead, KY
January 2010
Morehead, KY


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